Theodore Deppe

 

 

THE ROAD TO GLENLOUGH

           

for Julia Jo Sheehan

 

 

I first heard this tune

            after your funeral, Julia,

                        played as a slow air,

but tonight the visiting Donegal fiddler

            pushed it to double-time

                        to keep everyone dancing.

 

I love it that there is

            no road into Glenlough.

                        Dylan Thomas

rented a cottage there for a fortnight

             but hiked out

                        without paying--

 

he faulted Glenlough

            for being “too far from Ardara,

                        which is a place you can’t

be too far from.” 

            I once started up the hillside

                        from Port’s

 

abandoned fishing village,

            hoping to reach Glen,

                        but rain chased me back down

those slick slopes--

            even in rain, though,

                        even without seeing it,

 

I’d guess from the approach

            that there’s nowhere

                        lovelier.

Christ, Julia, it’s a year

            since your family removed

                        the casements

 

from your bedroom window,

            just as you said they would, and--

                        mind you don’t crush the roses!--

passed your coffin through.

            You were our ninety-year-old

                        poster girl

 

for smoking, drinking and

            dancing ‘til three a.m. 

                        You coaxed me out

onto the floor at Club Chleire,

            and while we waltzed

                        told me of working

 

in wartime London,

            how you’d step out to watch

                        dogfights in the sky--

I suppose it was

            dangerous,

                        but we were young.

 

Listen.  At least three poets

            witnessed

                        a robin fly down

and sing above your coffin.

            Not one of us has figured out

how to get that

 

into a poem,

but let me put him here for you now,

whatever slight dangers a robin

might present to a poem—

let him sing

whatever he was singing

 

that simultaneously saddened and

            pleased and

                        puzzled us,

as if the places that are most real

            are hidden

                        in the notes of such songs.